Advertisement and Marketing Reel
Often, I am reached out to by Companies to showcase applications and useful features of their products, and I often work it into my content strategy to provide value to my clients and my viewers, who are, in large part, aspiring musicians and composers.
.Strandberg* Guitars
guitar Manufacturer, sweden
Strandberg is a brand of headless Ergonomic Guitars based in Sweden. I have done many videos featuring my personal Strandberg Guitars, and I have been an Endorsed Strandberg artist since 2023.
.strandberg boden n2 Aura Blue colorway
In 2025, I was part of a content rollout for an exclusive Colorway of Strandberg’s Boden N2 Line of Guitars. I chose to call my bandmate and colleague, Noyan Tokgozoglu, to come back to Baltimore using our Band Carthage’s Music and its new arrangements for our 2026 Album, The Business of Joy, to advertise the New Colorway.
Impact soundworks
Virtual instrument and Plug-in Manufacturer, United States
Impact Soundworks develops composer tools, including guitar amplifiers and realistic instruments used by many composers, arrangers, and home musicians. When working with Impact, I help develop presets as well as use my established content with new mixes to demonstrate the sound quality and mix readiness of their products
shreddage amp Venom
In 2025, I was approached by Impact Soundworks to develop presets and use my music to advertise the Venom amp, and since it emulated the Framus Cobra, a legendary metalcore production amp, I lent one of my more popular Original Songs, One percent to the amp demo, pulling out aggressive Drop-G guitars and blazing fast rhythm guitar playing.
RS Drums
Audio Plug-In and Virtual Instrument Manufacturer, Maryland, USA
RS Drums is the Collaborative Effort of Drummers Anup Sastry (Monuments, Intervals) and Anex Rudinger (WhiteChapel, Trivium) When Working with RS Drums, I’ve chosen To embrace what My channel has come to be known for: Nerd Centered Content. so I have chosen to showcase it couched in my content that I do best, which is originals, and covers.
progressive Prodigy: Siemen Sandnes Kit
As its name implies, Progressive Prodigy has mixes of multiple different kit parts for use in multiple genre-bending styles. I chose to use this to embrace the currently popular game Deltarune and its song The Third Sanctuary, which heavily embraces odd time signatures and an openness to outside thinking
ML Sound Lab
Audio Plug-In and virtual instrument Manufacturer, Finland
I have done work for ML Sound Lab, showcasing their Guitar amp and Drum Plugins with humorous skits and musical arrangements
ML Drums
Continuing my Content Strategy, I began running with a “Descent into madness” in-joke and grabbing what I considered further “cursed content.” I did an arrangement of Hudson Mohawke’s “CBAT”.
Amped Series Modelers
As Part of my content Strategy with ML Sound Lab, I’ve gone with an in-Joke that in exchange for Priduct I create “Cursed Content”, in this case, making an aggressive arrangement of Marc Rebillet’s “I’m a Flamingo”
Joey Sturgis Tones
Audio Plug-In Manufacturer, California, USA
I do releases as a member of the JST content team, demonstrating the use of their products, continuing my normal branding of keeping releases based around fun content and a “Show, don’t tell” mindset
Howard Benson Vocals
I used my joining of Progressive Metalcore Band Friend For A Foe as Vocalist to do a simultaneous rollout of my new position, a new song clip, and the live use of Howard Benson Vocals for processing. This is a different part of my normal content strategy, as I played my script fairly straight and discussed the usage with a simple clip afterwards
Conquer All Cab Pack Vol. 5
Continuing my JST-focused strategy of laying out features followed by a clip, I used this video to continue testing educational and informative advertising content, followed by a clip of the song “Like Us” By my Solo Musical Project. This musical Clip was noticed by Eugene Kang at Riot Games and heavily influenced the Musical Direction of 2XKO
toneforge: Jeff Loomis
This continued my normal content strategy, carried over from ML Soundlabs, of a short skit where I run with humorous ideas. Again, the Prevailing Narrative I was attempting to establish was “Tre tortures Plug-In Companies by using their Products to make Cursed content.” This demo was for the standalone amp used by Guitar Virtuoso Jeff Loomis
GGD (formerly Getgood drums)
Audio Plug-in and virtual instrument Manufacturer, United Kingdom
I have Done Demos for GGD to display their newest Libraries using simple Demos, as their content Branding is typically based around Virtuosity and highly skilled playing.
ONE KIT WONDER: Architects
GGD asked me to demonstrate the sample sound and capabilities of their One Kit Wonder: Architects Sample Library. The request was a song Emblematic of the more pop-centered modern Metalcore sound, bringing in Hip Hop, Electronic, and Rock elements, to demonstrate its versatility.
Submission Audio
Audio Plug-In and virtual instrument Manufacturer, Finland
My work for the Australia-based Submission Audio Focuses Heavily on Bass Guitar Libraries, and my content made use of the Libraries in mixes and re-arrangements of existing songs to demonstrate how close they are to live instruments
Djinnbass II
Attempting to up the visual Aspect of my work, I decided to make a Demo that featured as many of the special articulations that Djinnbass II had versus its other plugin counterparts, and made it my central riff. Djinnbass emulates a Dingwall NG2, and I attempted to bring out its particularly prominent features in this Demo.
grovebass
For this song, I used Grovebass, a Library based around Plini Live Bass Player and producer Simon Grave, emulating a Lefay Bass. The content I chose was from the album with Riot Games I composed, Pentakill III: Lost Chapter. The song I used was Executioner’s calling which features an extremely Prominent swinging bassline for its opening verse.
Neural DSP
Audio Plug-In Manufacturer, Finland
When working with Neural DSP, I typically attempt to be extremely heavily guitar-focused, showcasing the Sonic capabilities of the Plugins and hardware without too much additional talk or explanation. Viewers looking for Neural’s Products usually know what they’re looking for, and hearing the product in action is why they’re here.
Archetype: Petrucci
Neural DSP, thoroughly impressed by my work as a member of Pentakill in 2020 and 2021, reached out to me to request I play a song from 2021’s Pentakill III: Lost Chapter to demonstrate the sonic capabilities of Archetype: Petrucci, modeled after John Petrucci of Dream Theater’s amps.